This week we’re hearing from Harry Baughan — aka BAYANG (tha Bushranger) — who is one of West Sydney music’s most uncompromising and passionate voices.
Thanks to an overwhelming response from the community, SydneyMusic has one more chance to secure a sustainable future.
We're moving the shutdown date to the 13th of July. We still don't have any answers, but we want to explore how the organisation's work can live on.
38 months. Over 16,000 gigs. A lot of wonderful music. SydneyMusic needs to say goodbye, and our final day of operation is June 15, 2025.
We're moving the shutdown date to the 13th of July. We still don't have any answers, but we want to explore how the organisation's work can live on.
38 months. Over 16,000 gigs. A lot of wonderful music. SydneyMusic needs to say goodbye, and our final day of operation is June 15, 2025.
"Their live shows were this miraculous combination of pub hang with your funniest friends and heart-wrenching punk show."
"I remember feeling an overwhelming sense of support from the community surrounding Jasper and Lazy Thinking. I felt like I could play in the space freely with no sense of judgement."
"Old school, the whole set filmed on Handicam, I think a pretty new band, great sound, great commitment. I want some more of this in my life, I think."
"Six releases to carry you from the ethereal to the noise-fluttered earth within Eora Sydney’s experimental scene."
"Godtet is quintessential Sydney. Ultimately, they are the big brothers of the instrumental Sydney community."
“I feel like I only started being a musician when I found my community, by going to gigs... I just inserted myself into the scene that I wanted to join.”
"Super quick service, no line and everything is served on paper plates. The family that runs the joint is always super sweet too."
"An unpretentious energy that’s pub-meets-club and an utter mixed bag of patrons that range from washed-up actors to art students’ first nights out."
"Honestly this gloomy place is such a gem of a setting for any music video or photoshoot. I have used it time and time again and am tempted to gatekeep, but who cares."
It's been a big year, with a lot of changes. How does live music find its place of relevance in a world of economic uncertainty and declining interest in local music?
We think you should buy some music, so we asked some cool people with great taste to tell you some music you should buy.
Do you write about music, performance, creative people, online culture, community building, and/or arts policy? Do it for SydneyMusic.net!
David James Young talks to Jess about her range of experiences as an interstate performer in Sydney — from house shows, to Opera House shows. Sort of.
Just kidding. Performance Reports might not be the sexiest topic — but then what's sexier than getting paid for the same gig twice? SydneyMusic's partnered up with APRA to help remind artists to get your PRs in. It's easier than ever.
"You're just sitting there 3am sleep-deprived, a ciggie hanging out of your fucking mouth, listening to this song being like, 'I'm so glad this exists. This didn't exist before we did it. And now it exists.'"
'I had a meeting with these music industry people and they're like, "You know, you should do comedy techno! Like a funny Fat Boy Slim!" And I was like, "You know what? Fuck you. I'm outta here!"'
From making fantasy gig posters in Chippendale, to being hailed by NME and invited overseas for tours: The Cannanes reflect on their DIY ethos, how Sydney’s changed over the decades, and their experiences with music communities internationally.
13 years. 120 shows. 1 living room. We caught up with Nick Shimmin of the People's Republic to talk about creating an alternative space for artists and audience to enjoy a shared sense of community.
In the debut edition of our occasional Q&A feature, Kirsty gives us an intro to the community that Party Dozen came from, some thoughts on what can help our local community thrive more, and the importance of a broken PA in becoming a great performer.
"We're in this weird, fluid time in Australian music history where I feel like it's really fertile ground for people who have a really strong idea of what they want to do."
Live music in Sydney is still clawing its way back to normalcy after a bruising decade of lockouts and lockdowns — but there's good stuff out there, and this site exists to help you find it.